They got together to work on new ideas several times while Hodges was in Amsterdam, and the new Dutch collaborators even ended up contributing to the STRFKR song “Tape Machine”. We are updating our release dates twice a week. Also in the mix are sustained, stereo-panning pitches closer to feedback or signal noise. STRFKR is releasing this album piggybacking on their latest release Future Past Life. delivered instantly to you via the Bandcamp app for iOS and Android. “Telescope” is spacey, chill, and dreamy. News. Supported by Apple OS with software player from Amarra, Audirvana, PureMusic). It then evolves into an electropop and krautrock rock jam. New album Future Past Life breaks new ground, dialing back some of the high-gloss production they’re known for to craft songs that are stripped down, spaced out and somehow as visceral as they are dream-like. Thank you for your understanding and patience. It’s different and unique, and is clearly an experimental affair from the band. I thirst for more records like that so badly, Turning 21 is a classically sentimental pop song. Bandcamp New & Notable Nov 7, 2020. fresh and fun. Interview with ford: The long journey to “The Color of Nothing”, Interview: Jesse Markin on his past, present, and the future, The constant journey of Alexia Avina & the release of her latest album “Unearth”. Arpeggios whirl around to give the track a more frenetic feeling than much of the album; you can feel things moving pretty fast. their parts. Ambient 1 will be a joy of a listen for any fans of STRKR. “Nexus” has many of the same elements like the percussion and the edgy synths. STRFKR just announced that they will be releasing their album, Ambient 1. personal touches shine through on all the tracks, creating some unique songs that are more than the sum of The experimental keys on “Kaleidoscope” sound like a pop throwback to prog-rock classics of the 70s. “Bunjii” is like a lullaby of tranquility. An MQA file is backward compatible so will play on any device. “Vergeten” serves as a brief interlude with organs that sounds like a church recording. An album eventually took shape, resulting in Ambient 1. Feature.fm Smart Link. will be a joy of a listen for any fans of STRKR. 60. “Kaleidoscope” and “Telescope” both whirl forward with a sense of anticipation, but never quite reach something that could resemble a “drop” or a climax. has always been a constantly evolving entity, growing over the years from rambunctious beginnings into the manicured electro-pop perfection they exhibited on their last studio album, 2016’s pristine Being No One, Going Nowhere. News: STRFKR Release ‘Ambient 1’ Through Polyvinyl Record Co. “Budapest” locks into an airy groove, washed over by waves of angelic vocal harmonies from Polyvinyl labelmates Shy Boys. Submit Correction. With a lush atmosphere of psychedelia, “Rainzow” begins the album. Booming, ornate art-pop anthems mark Felicity Groom as an artist riding the line between high, visionary aesthetics and commercial appeal. Much like the music on Future Past Life, the way the album came together is strange and winding. The group (formed in Portland in 2007 as a solo project of Joshua Hodges) have been able to meld a bunch of different sounds and styles successfully, and Hodges’s lyrics have always been the type that linger slightly below the surface, simple at first glance (see “Rawnald Gregory Erickson the Second”) but, after a few listens, they are the type that will burrow into your brain. Before these last two releases it had been four years since they released their last project called Being No One, Going No Where. Sprightly pop from Melbourne artist XANI that layers sweeping violin lines through glittery arrangements. Lead single “Never The Same” is warm and direct, with a straightforward delivery that highlights how vulnerable the band’s lyrics can be. The immaculate but danceable pop that has long been STRFKR’s calling card is pushed into exciting new places on Future Past Life. “Concentrate” employs a more cutting synth sound, accompanied by minimalist percussion that gives it some propulsion. music Critic Score. Best Albums. The album sticks mostly with this limited if shifting tone palette before -- following the warped "Anxiety" midway through the track list -- darker voices and prominent percussion parts emerge. For a little shy of an hour, Ambient 1 drifts through softly glowing electronic instrumentals that extract the synth core from the group’s well established synth pop sound. Pure happiness with just enough melancholy. All rights reserved. To describe it as “ethereal” …, Vita and the Woolf, the musical project of Pennsylvania bred but LA-based singer-songwriter Jen Pague, is back …, Today STRFKR released their first album in four years, Future Past Life. The uniquely transcendental album blurs the line between an electronic album and a meditation soundtrack. “Sleep” ends the album with notes that linger slowly, bringing the record to an atmospheric and ambient conclusion. Those vibes continue on “Anxiety.” Here, echo effects create an underwater feeling. User Score. As for whether Ambient 1 will hold any interest for fans of STRFKR songs, while it plays mostly like an exercise, Hodges' knack for short melodic and rhythmic hooks does bleed through here, as does his fondness for partly cloudy climates. Then, the pandemic came, and Hodges used the moment to work through his experiences and emotions by … The organ gives this song an element of R&B and funk. “Anxiety,” title notwithstanding, manages to sound serene. MQA Studio (Blue light) indicates the sound is identical to that of the original source material and has either been approved in the studio by the artist/producer or has been verified by the copyright owner. Lists. personal touches shine through on all the tracks, creating some unique songs that are more than the sum of A few months after releasing Future Past Life, STFKR have returned with Ambient 1. STRFKR's sound has morphed over the years through variations of hyper catchy, danceable pop, but on Ambient 1 - the band's first fully instrumental album - the band has achieved something very different. New Releases. STRFKR has always been a constantly evolving entity, growing over the years from rambunctious beginnings into the manicured electropop perfection they exhibited on their last studio album, 2016’s pristine Being No One, Going Nowhere. Their past albums have been “hyper catchy” and “danceable pop” according to their biographical page on Riot Act Media. STRFKR’s sound has morphed over the years through variations of hyper catchy, danceable pop, but this is something very different. There are a lot of chill jams in this record, but on “Zee Majoor,” the tension escalates. Opening track “Rainzow” gets things going with mellow, moody synths that repeat in an almost trance-like manner. On Ambient 1 (STRFKR’s second release of the year and follow up to Future Past Life), the group forsakes lyrics in favor of a fully blissed out, analog leaning synth sound that takes the listener for a relaxed ride. Hodges made his way back to the States, but as time passed he found himself returning to the songs from those Amsterdam sessions. Ambient 1 will take a turn in a different direction. August 28, 2020 / Release Date. 13 back-catalog items, Album Review: Green Druid – At The Maw Of Ruin, News: Diamond Head Unleash Cover Of Metallica’s “No Remorse” Ahead Of November Record Release, News: Death Metal Act Fuming Mouth Unleash Ferocious New EP ‘Beyond The Tomb’, News: The Black Dahlia Murder Announces “Yule ‘Em All: A Holiday Variety Extravaganza”, EP Review: Fuming Mouth – Beyond the Tomb, News: For Your Health Featured on hate5six, News: The Network – Definitely Not Green Day – Drop New EP and Announce New Album. “Nexus” changes it up by offering hand drum like beats amongst organ effects and intricate electronic music. Supported by Windows with software player from JRiver, KORG MediaGate. LP / Format. Supported by Apple OS with software player from Amarra, Audirvana, PureMusic, Songbird. On behalf of Polyvinyl Record Co., Feature.fm sets cookies that can identify you as a visitor. Hodges' slow-blooming soundscapes and transcendent webs of synth and percussion might be some of the most unassuming, circuitous music he’s ever made, but it's also some of his most vulnerable work. For users, using Apple/iTunes and a few Network Streaming players.

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